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What Is Old Can Never Be New Again

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2012 single past Taylor Swift

"We Are Never Always Getting Back Together"
A photograph of Swift wearing sunglasses, a white shirt and black shorts sitting on a grassland. Her name "Taylor Swift" is printed in white and the title "We Are Never Ever Getting Back Together" is printed in red, both are capitalized.
Unmarried by Taylor Swift
from the album Blood-red
Released August 13, 2012 (2012-08-thirteen)
Studio
  • Conway (Los Angeles)
  • MXM (Stockholm)
Genre
  • Dance-pop
  • pop rock
  • bubblegum popular
  • electropop
  • electro-folk
Length three:12
Characterization Big Auto
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(southward)
  • Max Martin
  • Shellback
  • Taylor Swift[1]
Taylor Swift singles chronology
"Both of Us"
(2012) 		"We Are Never E'er Getting Back Together"
(2012) 		"Ronan"
(2012)
Music video
"We Are Never Always Getting Back Together" on YouTube

"We Are Never Ever Getting Back Together" is a vocal by American singer-songwriter Taylor Swift, taken from her 4th studio album, Red (2012). It was released for digital download and to U.S. pop radio as the lead unmarried from Cherry-red on Baronial thirteen, 2012, by Big Auto Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat dance-pop and pop rock song, "Nosotros Are Never Ever Getting Dorsum Together" contains pulsing synthesizers, candy guitar riffs, bass drums, and a spoken-word span. Its lyrics express Swift'southward frustration with an ex-lover who wants to rekindle their human relationship. An alternate version was released to U.South. country radio on August 21, 2012.

Music critics praised the track for its catchy melody and radio-friendly audio, though some described its lyrics as subpar for Swift's songwriting abilities. The song appeared in year-end lists by Rolling Stone, Fourth dimension, and The Village Voice. "We Are Never Ever Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the top five in Australia, Ireland, Israel, Japan, and the U.Thou. On the U.Due south. Billboard Hot 100, the unmarried debuted at number 72 and rose to number one the following week, registering one of the biggest single-week jumps in nautical chart history. The single spent a tape-breaking nine consecutive weeks topping the Hot Country Songs chart, and received multi-platinum certifications in Commonwealth of australia, Japan, New Zealand, and the U.S.

The music video for the song was released on Baronial 30, 2012. The accolades that "We Are Never Always Getting Back Together" received include a Billboard Music Honor for Top Country Song, a Grammy Laurels nomination for Record of the Year, a CMT Music Award nomination for Best Music Video, and a People'south Choice Accolade nomination for Favorite Vocal. Swift included the vocal on the fix lists of iii of her world tours: the Red Bout (2013–14), the 1989 World Tour (2015), and Reputation Stadium Tour (2018). A re-recorded version of the vocal is featured on Ruddy (Taylor's Version), Swift'south 2021 re-recording of her 2012 album.

Background and release [edit]

After writing Speak Now (2010) entirely solo, Swift opted to collaborate with dissimilar songwriters and producers for Red. Thus, she called Max Martin and Shellback, two songwriters and producers whose piece of work she admired, to hash out a possible collaboration. The trio conceived the concept for "Nosotros Are Never Always Getting Back Together" shortly afterward a friend of Swift'southward ex-boyfriend walked into the recording studio and spoke of rumors he heard that Swift and her old flame were reuniting. Afterwards the friend left, Martin and Shellback asked Swift to elaborate on the details of the human relationship, which she described equally "break up, go back together, interruption up, become back together, just, ugh, the worst". When Martin suggested that they write about the incident, Swift began playing the guitar and singing, "We are never ever......", and the song flowed rapidly afterwards. She described the procedure as one of the almost humorous experiences she had while recording, and said the musical partners matched her expectations. An audio clip of her sarcastically speaking virtually breakups can be heard before the concluding chorus.[2]

The single was the lead single from Red.[3] Swift premiered the unmarried on Baronial 13, 2012, during a live conversation on Google+[four] with the vocal released on Google Play that day[five] for digital download and to iTunes and Amazon.com the side by side twenty-four hours, August fourteen.[6] [vii] A lyric video as well premiered on Swift's official Vevo that same twenty-four hours.[8] The song was released to Developed Contemporary radio stations on August 13, 2012[9] and to mainstream radio stations the next 24-hour interval.[10] The vocal was released to country radio on August 21, 2012.[11] The music video for the song premiered on Baronial thirty, 2012.[12] A limited edition individually numbered CD single was released to Swift's official shop and Amazon.com on September iv, 2012. The limited edition CD unmarried was packaged with a "We Are Never Always Getting Back Together" T-shirt and backpack.[xiii] The CD unmarried was also bachelor for private purchase.[fourteen] The CD unmarried was released exclusively to US Walmart stores the same day.[fifteen]

Composition and lyrics [edit]

The three-minute-and-twelve-second vocal[5] features electronic heavy production accompanied to acoustic guitars, a banjo, and a pop music song styling, a musical transition for Swift.[16] It was written in the central of Thousand Major with a common time signature and a deadening tempo of eighty-six beats per minute, with Swift's vocals spanning one octave and 5 notes, from G3 to E5.[17] The rail features an acoustic guitar (some of its sounds are reversed) and various synthesizers over an electronic drum beat. The country radio release featured a different instrumental arrangement. The alternating mix replaced the guitar, drum machine, and synthesizers with a mandolin, fiddle, steel guitar and snare drums.[18] The song was written by Swift, along with Martin and Shellback.[18] [xix] The lyrics discuss Swift's frustration towards a former male lover who wants to rekindle their relationship. Jonathan Keefe of Slant Mag describes information technology equally a bubblegum pop number[20] [21] while AllMusic categorized the song under the dance-pop genre.[22] James Lancho, reviewing the album Carmine called the vocal "sassy popular-stone in the mould of Katy Perry",[23] and Marc Hogan of Spin deemed the single "saucy electro-pop".[24] The New York Times dubbed information technology a "snarky electro-folk melody".[25]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
Billboard four.5/5[26]
Mutual Sense Media [27]
Digital Spy [28]
Rolling Stone [29]

Upon initial release, the song received positive reviews from music critics. Robert Myers of The Village Vocalisation felt that the song, while "good", was "not Swift at her all-time" and speculated that the decision to release it as a lead single was made for commercial reasons: "I doubt 'Never E'er' is even close to being the all-time song on Red; it'due south a teaser, an indication to her fans of what's coming up. That sounds similar commercial calculation of the worst kind, but I don't call up it is. Swift's connection with her audience is possibly more important than her connection with her boyfriends. And there is ane brilliant bear on: the spoken scrap that comes after the middle viii."[30] Grady Smith of Entertainment Weekly drew comparisons with Avril Lavigne and praised the "undeniable, instantly catchy hook".[18] While describing the song as "joyous", he still expressed concern that the song'south "juvenile sensibilities" marked a regression following Swift'southward work on Speak Now.[xviii] Jody Rosen of Rolling Stone noted that the song's "hooks, plural, take a zing that'southward more than Stockholm than Nashville. But it's unmistakably Taylor: a witty relationship postmortem, delivered in inimitable girlie-girl patois. And this bit – "I'm just, I mean, this is exhausting. Like, we are never getting back together. Like, ever" – might be the most sublime spoken-word interlude in popular since Barry White died."[29]

Marah Eakin of The A.V. Gild commented on "what a good song it is": "With its thumping kick drum, clipped syncopation, and mildly snarky lyrics, it's a teen dream in the vein of Swift's other sing-forth jams like "Love Story" or "You lot Belong with Me."[31] Kevin Coyne of State Universe gave the song a failing D grade, calling it a "huge stride backward".[32] James Montgomery of MTV felt the "fantastic" vocal may "represent a turning point in her career ... Swift no longer has any interest in being the victim ... [She] displays a defiant, liberated streak". He noted that the song seemed "custom-crafted to dominate radio ... all shiny, silvery guitars and walloping, whomping choruses".[33] Amy Sciarretto of Popcrush praised Swift for capturing a "universal feeling in an upbeat, empowering vocal" and described information technology as "one of the catchiest tunes she's ever penned".[34] Jonathan Keefe of Slant Magazine described "the melodic claw" as the song'southward best attribute but criticized Swift'due south "stilted phrasing". He described her vocal performance as a "consummate misfire", pointing out that her phonation was at its "most unpleasant and nasal". However, Keefe warned that information technology was "premature" to say the "full-on pop" vocal "signals anything more than than a temporary breakup".[20] David Malitz of The Washington Post plant the song young and remarked, "the chorus is tricky but if this is representative of what awaits on Reddish, it's hard to be too excited".[35] Glenn Gamboa of Newsday described it every bit "anthemic in a slick pop way, rather than her usual modern country style ... Part of T. Swizzle'due south charm is the way she makes her songs sound genuine and conversational and 'Never Ever' is no exception".[36] Baton Dukes of Gustation of Country stated that "[Swift] captures the anger of young love gone incorrect better than anyone since, well…[Taylor] Swift" and that the vocal'due south melody is "difficult to cover quickly."[37] However, Camille Mann of CBS News considered the vocal to be "tricky".[38]

"We Are Never Always Getting Back Together" featured on 2012 yr-end lists by Rolling Rock (second),[39] Time (quaternary),[twoscore] The Guardian (5th),[41] The Village Voice 's Pazz & Jop critics' poll (sixth),[42] PopMatters (11th),[43] NME (24th),[44] and Consequence (40th).[45] The single was named the 169th best vocal of 2010–2014 on Pitchfork's "The 200 All-time Tracks of the Decade So Far (2010-2014)" list.[46] It besides received a Grammy nomination for Record of the Year for the 2013 Grammy Awards.[47] In 2019, Stereogum ranked the vocal as the 71st best vocal of the 2010s.[48] Rolling Stone ranked the song as the thirteenth-all-time female person country vocal of the 2000s and 2010s.[49] The Tampa Bay Times ranked information technology fourth on their list of the best 2010s popular songs.[50]

Accolades [edit]

Year Organization Award/work Result Ref
2012 Guinness World Records Fastest Selling Unmarried in Digital History Won [51]
2013 Academy of Country Music Awards All-time Music Video Nominated [52]
Billboard Music Awards Pinnacle Streaming Song (Video) Nominated [53]
Top Country Song Won
BMI Awards Award-Winning Songs Won [54]
CMT Music Awards Video of the Year Nominated [55]
Grammy Awards Record of the Year Nominated [56]
MTV Video Music Awards Nihon All-time Female Video Nominated [57]
All-time Pop Video Nominated
Best Karaoke Video Nominated
Much Music Video Awards International Video of the Year Nominated [58]
Myx Music Laurels Favourite International Video Nominated [59]
Nickelodeon Kids' Choice Awards Favourite Song Nominated [60]
Argentine republic Nickelodeon Kids' Choice Awards Favorite International Song Nominated [61]
People'due south Choice Awards Favourite Vocal Nominated [62]
Radio Disney Music Awards Best Break Up Vocal Won [63]
[64]
Sirius XM Holdings Awards International Video of the Yr Nominated [65]
International Single of the Twelvemonth Nominated
Teen Choice Awards Pick Break-Up Vocal Nominated [66]
Choice Country Song Won
MTV Millennial Awards Striking Chicle del Año (Catchiest Hit of the Twelvemonth) Won [67]
Hito Music Awards Best Western Song Won [68]
2014 Globe Music Awards World's Best Vocal Won [69]
World's Best Video Nominated
ASCAP Awards Most Performed Song Won [seventy]
BMI Popular Awards Honour-Winning Song Won [71]

Commercial performance [edit]

In the U.S., "We Are Never Ever Getting Dorsum Together" debuted at number 72 on the Billboard Hot 100 chart week ending August 25, 2012, based on two days of airplay.[72] Information technology rose to number one the following week, registering one of the biggest unmarried-week jumps in chart history.[73] Giving Swift her first Hot 100 number 1, it fabricated Swift the country creative person with the almost pinnacle-x chart entries (eleven, tying with Kenny Rogers).[74] It spent two consecutive weeks at number one[75] and was the first country vocal to spend three or more than weeks at number one after Kenny Rogers's "Lady" (1980).[76] The single stayed in the pinnacle ten for thirteen non-sequent weeks.[77] On the Radio Songs chart, "Nosotros Are Never E'er Getting Back Together" entered at number 25, the highest debut for a song past a female land artist.[78] Information technology peaked at number 3 for three non-sequent weeks, giving Swift her fourth top-x entry.[79] On the Hot Digital Songs chart, "We Are Never Ever Getting Back Together" debuted at number one with first-week sales of 623,000 digital copies in the week ending September ane, 2012, setting a record for the fastest-selling digital single by a female creative person in Billboard nautical chart history.[note 1]

A black-and-white portrait of Connie Smith in 1960s hairstyle looking upwards

The single debuted at number 13 on the Hot State Songs chart week ending September 1, 2012, based on airplay alone.[82] Later Billboard changed the methodology for the chart, incorporating digital sales and streaming into nautical chart rankings in addition to airplay, "We Are Never E'er Getting Back Together" ascended to number 1 for the chart dated October xx, 2012, giving Swift her seventh Hot Country Songs number one.[83] This prompted industry debate over the status of Swift equally a land artist, given that "We Are Never Ever Getting Back Together" received lukewarm reception at country radio and never reached the summit x of the State Airplay chart, and was more favorably received at pop radio.[84] It remained on the top spot of the Hot Country Songs for nine sequent weeks, breaking the eight consecutive weeks record of Connie Smith's "One time a Solar day" (1965) for the longest unbroken run at number i for a female creative person.[85] The song spent a total of ten weeks at number 1,[86] a career all-time for Swift and a record for the longest-run at number 1 for a female artist.[note 2]

"We Are Never Ever Getting Back Together" peaked inside the superlative 10 of Billboard airplay charts including Adult Contemporary, where it reached number x for seven not-consecutive weeks,[89] Adult Meridian 40, where it reached number seven,[ninety] and Mainstream Tiptop forty, where it peaked at number two for 4 non-consecutive weeks.[91] Roughly two months afterward its release, the single surpassed two million U.S. digital sales by September 2012, making Swift the showtime country artist two have six digital singles each sell over 2 million copies.[92] By July 2019, "We Are Never Ever Getting Back Together" had sold 4.1 1000000 copies in the U.Southward.[93] The Recording Industry Association of America (RIAA) certified the single six times platinum, denoting six million units based on sales and streaming.[94] In neighboring Canada, the single peaked atop the Canadian Hot 100, Swift's 2d number one following "Today Was a Fairytale" (2010).[95] It was certified aureate past Music Canada (MC).[96]

Outside North America, "We Are Never Ever Getting Back Together" peaked atop the record nautical chart in New Zealand, where it was certified double platinum by Recorded Music NZ (RMNZ).[97] The single peaked within the top ten on charts in State of israel (number 2),[98] Commonwealth of australia (number three),[99] Ireland (number 4),[100] the U.K. (number four),[101] Norway (number six),[102] Hungary (number nine),[103] and Espana (number nine).[104] It peaked at number eight on Euro Digital Song Sales, a Billboard chart monitoring digital singles across Europe.[105] The rail was certified platinum in Sweden and the U.G.,[106] [107] and five times platinum in Australia.[108] By October 2014, the single had sold over 616,000 digital copies in the U.Yard.[109] In Nihon, "We Are Never Ever Getting Back Together" was a chart success, peaking at number two on the Japan Hot 100 and remained on the nautical chart until 2015, iii years after its release.[110] The Recording Industry Association of Nippon (RIAJ) awarded the single a "Million" certification for selling over i million digital copies.[111]

Music video [edit]

Background and release [edit]

A music video for the vocal premiered on CMT, MTV and TeenNick on Baronial xxx, 2012, at 7:49 pm Eastern fourth dimension, and later on MTV.com, CMT.com, and VH1.com the same day at 8:00 pm Eastern time. The video is directed by Declan Whitebloom, with whom Swift has worked on the music videos for both "Mean" and "Ours".[12] The video was shot like a pop-upward book using a Sony F65 CineAlta camera with Leica 25 mm Summilux-C lens in one continuous shot with no editing, and features 5 sets and Swift in as many outfits.[112] It is also the first music video to be featured in 4K resolution.[113] According to Swift, she wanted the video to exist equally "quirky as the vocal sounds" and stated that "At that place's just knitting everywhere; in that location'due south just random woodland creatures popping upwards."[38] Prior to the video's release, a fourteen-2nd preview was released past CMT on their official YouTube on August thirty, 2012.[114] Every bit of September 2021, it has over 674 million views on YouTube.[115]

Synopsis [edit]

The video, which is washed every bit one continuous shot,[116] begins with Swift in colorful pajamas recounting the events of her off and on once again relationship with her ex-boyfriend (played by Noah Mills). The video then segues into Swift going into her living room where her band is dressed up in beast costumes and Swift belts out the chorus of the vocal. The video then goes to a Tv where Swift says "Similar, e'er." and then to the dining room where we run into she returns to recounting the events of her relationship and receives a phone phone call from her ex who is calling her from a nightclub. Swift hangs up on him and he walks off screen into the nightclub. Information technology and so goes to the two in a truck having an argument then to them having a stroll in the park. Swift and so runs off and we see her on the telephone telling the person on the other line how she and her ex are not getting back together and her frustration of their entire relationship. The video then segues dorsum to Swift's living room where a political party is going on and her ex shows up unannounced trying to woo her back and she slams the door in his face. The video ends with Swift on her window ledge where she was at the first of the video, singing the terminal line of the song.[117]

Reception [edit]

James Montgomery of MTV praised the video stating that the video is "truly a treat to picket".[118] Jim Farber of the New York Daily News annotate on the video was that "[Swift's] tone and demeanor in the clip is conversational and sarcastic, ideally suited to simulating intimacy with her massive teen girl fan-base."[119] Carl Williott of Idolator commented on the video's content and stated "what more could you lot ask for in a visual for a #one pop boom?"[120] Rolling Stone called information technology "flinging strong-willed sass".[121] David Greenwald of Billboard stated that the video "is a quirky commemoration that finds Swift singing and dancing with band members in animal costumes in between relationship flashbacks -- all filmed in an elaborate long shot. Swift wears large glasses and a pair of printed pajamas equally she shrugs off her not-so-nice ex-boyfriend, a scruffy, seemingly older musician-blazon with a penchant for drama."[122]

Alive performances [edit]

Swift performing "We Are Never Ever Getting Back Together" on the Red Tour in 2013

Swift performed the song live for the get-go time at the 2012 MTV Video Music Awards on September half dozen, 2012, which was held at the Staples Middle in Los Angeles.[12] [123] Swift was the last functioning of the dark and, wearing a red and white striped shirt and blackness shorts, began her performance in an area resembling a recording studio before taking the stage along with her back-up singers, dancers and band (in animal costumes) took the stage.[124] Swift also performed the song alive at the iHeartRadio Music Festival in 2012 and 2014. During her visit to Brazil, she performed the song on Tv Xuxa and during a concert in Rio de Janeiro on September xiii, 2012.[125] [126]

Swift performed the vocal on the British version of The X Factor on October xiv, 2012.[127] She performed the song on the German Television set evidence Schlag Den Raab.[128] On January 25, 2013, Swift performed "We Are Never Ever Getting Back Together" at the Los Premios forty Principales in Spain.[129] The next twenty-four hour period, she performed information technology in Cannes, France, during the NRJ Music Awards.[130] On February 10, 2013, Swift performed the song at the 2013 Grammy Awards, opening the ceremony. She performs the vocal on her Cherry-red Tour nightly as the finale. A rock version of the song was performed on The 1989 World Tour. More recently, the song was performed as a mashup with "This Is Why We Tin't Have Nice Things" equally the finale on Swift's Reputation Stadium Tour. Swift performed the vocal on the iHeartRadio Wango Tango on June 1, 2019. On December viii, she performed an acoustic version of the song at Uppercase FM's Jingle Bell Ball 2019 in London.[131]

Parodies [edit]

The song and video were parodied by teddiefilms in the manner of Breaking Bad. The parody, chosen "Nosotros Are Never Ever Gonna Melt Together," was uploaded to YouTube on October xviii, 2012.[132] The 22nd episode of Grey'south Anatomy 's tenth flavour is titled "We Are Never Ever Getting Back Together".[133] On September eight, 2012, YouTube star Shane Dawson, parodied the vocal, releasing a studio version[134] and a music video on his YouTube channel.[135] Sky News remixed portions of speeches by David Cameron to make it appear as though he was reciting the chorus as promotion for their coverage of the 2014 Scotland Independence Referendum.[136]

Credits and personnel [edit]

Credits are adapted from the liner notes of the CD single.[137]

  • Taylor Swift – atomic number 82 vocals, author, producer, backing vocals
  • Max Martin – producer, writer, keyboards
  • Shellback – producer, author, guitar, bass, keyboards, programming
  • Tom Coyne – mastering
  • Eric Eylands – banana recording
  • Serban Ghenea – mixing
  • John Hanes – engineer
  • Sam The netherlands – recording
  • Michael Ilbert – recording
  • Tim Roberts – assistant engineer

Charts [edit]

Certifications and sales [edit]

Release history [edit]

"Nosotros Are Never Always Getting Dorsum Together (Taylor'southward Version)" [edit]

"We Are Never Ever Getting Back Together (Taylor'south Version)"
Song past Taylor Swift
from the anthology Reddish (Taylor's Version)
Released November 12, 2021 (2021-11-12)
Genre
  • Trip the light fantastic toe-popular
  • pop rock
  • bubblegum pop
  • electropop
  • electro-folk
Length 3:13
Label Democracy
Songwriter(southward)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(s)
  • Christopher Rowe
  • Taylor Swift
  • Shellback
Lyric video
"We Are Never Ever Getting Back Together (Taylor's Version)" on YouTube

Swift re-recorded "Nosotros Are Never Ever Getting Back Together", subtitled "(Taylor'due south Version)", for her second re-recorded anthology, Red (Taylor'south Version), released on November 12, 2021, through Republic Records.[200]

Charts [edit]

See also [edit]

  • List of Billboard Hot 100 number-1 singles of 2012
  • List of Billboard number-one land songs of 2012
  • List of number-1 digital songs of 2012 (U.S.)
  • List of Canadian Hot 100 number-one singles of 2012
  • List of number-one singles from the 2010s (New Zealand)

Footnotes [edit]

  1. ^ The record was broken past Adele's 2015 single "Hello" (2015), which sold over 1.ane million digital copies in its first calendar week.[80] [81]
  2. ^ The tape was broken past Bebe Rexha'southward "Meant to Be" (2017) featuring Florida Georgia Line, which spent 35 consecutive weeks at number one.[87] [88]

References [edit]

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  2. ^ Effron, Lauren (Baronial 13, 2012). "Taylor Swift Reveals New Album, 'Crimson,' Drops New Single, 'We Are Never Ever Getting Back Together': ABC Exclusive". ABC News. Archived from the original on Oct 15, 2017. Retrieved Baronial 14, 2012.
  3. ^ Wolff, Kurt (January xvi, 2013). "Behind The Song: Taylor Swift 'Nosotros Are Never Ever Getting Dorsum Together'". CBS Local. Baltimore. Archived from the original on February 1, 2013. Retrieved January 16, 2013.
  4. ^ Taylor Swift (Baronial 13, 2012). "Taylor Swift Web Chat and Yard+ Hangout". YouTube. Google Inc. Archived from the original on Nov 23, 2020. Retrieved Baronial 17, 2012.
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  6. ^ "We Are Never Ever Getting Dorsum Together – Single". Apple Music. Archived from the original on August nineteen, 2012. Retrieved August 14, 2012.
  7. ^ "We Are Never Ever Getting Back Together: Taylor Swift: MP3 Download". Amazon. August fourteen, 2012. Archived from the original on August 24, 2012. Retrieved August 17, 2012.
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  10. ^ a b "Available for Airplay Archive". FMQB. Archived from the original on Nov 17, 2012. Retrieved August xviii, 2012.
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  13. ^ a b Sources:
    • Taylor Swift (August 14, 2012). "Taylor Swift Express EDITION 'Nosotros Are Never Always Getting Back Together' Packet". TaylorSwift.com. Archived from the original on August 21, 2012. Retrieved August 17, 2012.
    • "Limited EDITION 'Nosotros Are Never Ever Getting Back Together' Package: Amazon.com". Amazon. Archived from the original on August 31, 2012. Retrieved August 28, 2012.
  14. ^ Sources:
    • Taylor Swift (Baronial 28, 2012). "Free SHIPPING: Express Edition "Nosotros Are Never Ever Getting Back Together" Unmarried CD". Taylorswift.com. Archived from the original on August 31, 2012. Retrieved Baronial 28, 2012.
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  15. ^ "Nosotros Are Never Always (Walmart Exclusive), Taylor Swift: Country: Walmart.com". Walmart.com. Walmart (US) Wal-Mart Stores, Inc. September iv, 2012. Archived from the original on June 5, 2016. Retrieved September 7, 2012.
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  22. ^ "Red: Review". AllMusic. Archived from the original on June 3, 2016. Retrieved November sixteen, 2014.
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Source: https://en.wikipedia.org/wiki/We_Are_Never_Ever_Getting_Back_Together

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